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Unfortunately, this concert's "birth" was seven years my senior, so I'm thankful that the tape was rolling. I can't imagine ringing in the new year of 1972 any better way than seeing The Band in top form with horns provided by Allen Toussaint and co, and a special guest appearance by a guy named Bob Dylan. And if I had to pick a specific concert, this may be the one. I'd be hard pressed to pick any other band as my top selection when playing the "If you were able to see one band live" game than The Band. The Band: Rock of Ages: The Band in Concert (2001 2-disc re-issue) Until I heard his song "Don't Cry" on Freedom, which is also live and has the meanest guitar tone on record.Įric Pulido, guitarist in Midlake, chooses:
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And Neil's guitar playing is the rawest, rockest thing I'd ever heard. Neil Young & Crazy Horse:Live Rust (1979) I spent many teenage hours in the garage trying to coax similarly odd sounds out of my cheapo Encore Stratocaster and a broken amplifier. It seemed revolutionary and led me towards more avant-garde music. At the root of all this was the simple song-craft that Young has become famous for, but I would sometimes venture further out on to the third disc, Arc, which contained half an hour of pure feedback. As a callow schoolboy, I would listen to these indulgent workouts endlessly the squall of the electric guitar seemed to match the fire-and-brimstone howl of its master. Neil Young's guitar solos on the Weld double-disc are yawning voids into which the listener must hurl themselves. Paul Smith, solo artist and singer in Maxïmo Park, chooses: I was amazed at the length of Dylan's solo performances and the power he had not only to deliver an intense story, but also at the fluency of his recollection and the ease in which he detailed a long, complicated narrative. For me, the version of the latter has never been surpassed.
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On the last four songs, Dylan is joined by The Band and they play "Highway 61 Revisited" and "Like a Rolling Stone". This interaction defined for me what songwriting is all about. The audience were applauding specific lyrics. It was because of continued listening to Bob Dylan and this album that I discovered the power of words. It's got The Band playing classic songs such as "Up on Cripple Creek" and "The Weight", then Bob Dylan playing three solo tunes, the best of which is a furious version of "It's Alright, Ma (I'm Only Bleeding)" which hit me like a hammer blow to the head. Johnny Bramwell, singer in I Am Kloot, chooses:īob Dylan and The Band: Before the Flood (1974) With this one album he taught me about Frank Sinatra, Eddie Cochran, Johnny Thunders and Iggy Pop.
The 1975 deluxe album ebay plus#
It was recorded mostly at Max's Kansas City in NYC, doing cover versions of New York Dolls, Heartbreakers and the Stooges, plus the Pistols' singles "My Way" and "Something Else". I remember a flurry of really great live albums: Crash Course by the UK Subs and Live (X Cert) by The Stranglers, but it was Sid all the way for me. My favourite live album would have to be Sid Sings because basically it was the first live album I ever bought. Tim Burgess, singer in The Charlatans, chooses: All his lyrics came out of the civil rights background that was going on in the West Coast, so you got this great beat set to this very uplifting message. When I was DJing in the Nineties, I'd play the version of "We're a Winner" a lot it had a suited-up soul sound to it, almost like The Temptations, but then on the live recording it became an unbuckled, heavy funk song about empowerment. It's probably the one record I've had for the longest that I seem to keep going back to. It's really intimate, beautiful and tough and soulful. It's obviously a small venue – you can hear glasses clinking in the background, people are obviously sitting at tables watching. Then I heard the original versions and they didn't do it for me – they sounded safe, especially songs like "We're a Winner". I discovered most of the songs from the live album before I heard the recorded versions and they're quite raw, and the drums are tough. Lennon's rendition of "Yer Blues" has an intensity and a rawness of sound that has rarely been heard since. The most striking thing in the visual footage is Brian Jones' eyes rolling around, but on the record you can really hear that the crowd are absolutely high as a kite too. It was the end of the Sixties: things were out of control. You can hear on this record (not actually released until 1996) how the wild rock'n'roll get-together in 1968 of amazing artists like The Rolling Stones, The Who, Taj Mahal, John Lennon and Eric Clapton is sending the crowds wild. The Rolling Stones: Rock and Roll Circus (1968) Tom Meighan, singer in Kasabian, chooses: